Liz Amsden
Producer

Liz Amsden has worked on over 50 films for companies such as 29th Century Fox, HBO, Miramax, New Line Cinema, and Universal Pictures, using her production and organizational skills in areas from producing and production management through production legal and marketing. Most recently, she ran the animal and VFX unit for the upcoming sequel to Garfield. Work in recent years has taken her to Australia, Kenya, Austria and France as well as to her native Montreal where she worked on Gothika for Warner Bros.

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Peter Morris
Producer

Peter Morris is a former journalist who has worked in television for over twenty years for the BBC, ITV, Channel 4 (UK) ABC (Australia) and various US cable channels as both a presenter and producer. He is a former consultant to “Scottish Screen”, The Personal Management Company (LA) and a member of the Board of Directors of BAFTALA and the US based charity “Friends of Scotland” (patron Sir Sean Connery). In addition to “Trust Me”, Morris has two other feature films in development.

Mark H. Yellen
Production Consultant

Mark Yellen has produced/executive produced 14 feature films and mini series including the award winning "Shiloh" starring Rod Steiger and "Montana" starring Stanley Tucci, Kyra Sedgwick and John Ritter.

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Fran Kazamia
Executive Producer

Fran Kazamia has been a consultant on this project since its inception. She has worked extensively with Andrew on all his projects including producing his award winning short films “Gooseberries Don’t Dance” and "Everything".

Jonathan and Caroline Haynes
Executive Producers

Jonathan and Caroline Haynes have come from a business background in the UK where they have founded and created several successful business ventures. This is their first feature film project.

Ken Todd and Lisa Vanderpump
Executive Producers

Lisa is a former actress who left the business to exercise her expertise for design along with her husband Ken Todd, an entrepreneurial businessman. Using their combined talents they built up a mini empire of highly successful clubs, bars and restaurants in London’s West End and in Los Angeles. This is Kens first foray into the world of filmmaking and, for Lisa, her first time from behind the camera.